In Photoshop there are numerous ways of converting color images to black and white, but which method offers the most control and will deliver the best results?
This is a question I’ve asked myself many times and consequently have spent countless hours experimenting with post processing techniques in Photoshop unable to make up my mind…
Performing Photoshop adjustments can sometimes take a lot longer than they should if you’re inexperienced and unaware of how to speed up your digital workflow.
Take for instance how to resize images which is a fairly straight forward task, however it starts to become complicated when you consider how to resize multiple images at once.
In this article, I’m going to show you how to create a spectacular panorama using a tripod, multiple exposures and photoshop.
The image I’m going to be working with today was photographed in a small town called Akaroa (75 kilometers east of Christchurch) on the South Island of New Zealand.
One of the most interesting and exciting aspects of flour photography is simply not knowing exactly how images will to turn out when shooting at high speeds.
The experimental process that follows is almost as entertaining as the results you will achieve if you persist and maintain your enthusiasm.
One of the advantages of working on images inside of photoshop after raw conversion, is the ability to soft proof your images to a final output which in most cases for a photographer is a photographic or inkjet print.
So, what is soft proofing? Well, soft proofing is simply a technique that allows you to view on your computer monitor what your image will look like when it is printed onto photographic paper or any other medium, assuming that you have a calibrated computer monitor.
